Vienna - Wiener Staatsoper

The tradition of Viennese opera goes back over three and a half centuries to the time of the early Baroque. Emperor Franz Joseph I decreed in December 1857 that the old city walls and fortifications around the Viennese inner city should be torn down and the Ringstrasse, a wide boulevard with new purpose built buildings for culture and politics, should take its place. Also the two Court theatres (one drama and one music theatre) were to find a new home on the Ring. For the Court opera theatre a prominent place was chosen in the immediate area of the former Kärtnertortheater. This popular opera theatre built in 1709 was torn down due to its being too cramped. In its place a new opera house was built designed by the Viennese architect August von Sicardsburg with interior decoration conceived by Eduard van der Nüll. But other well known artists also made contributions: one has only to think of Moritz von Schwind who painted the frescos in the foyer and the well-known Magic Flute cycle in the loggia. The two architects would not live to see the opening of ‘their’ opera house: the sensitive van der Nüll committed suicide after the Viennese characterized his house as tasteless and his friend Sicardsburg died shortly afterwards from a stroke. On the 25th of May 1869 the house was officially opened with a performance of Mozart’s DON JUAN in the presence of Emperor Franz Joseph, the sovereign landlord, and Empress Elisabeth. As a result of the artistic charisma of the first General Directors, Franz von Dingelstedt, Johann Herbeck, Franz Jauner and Wilhelm Jahn the building grew in popularity. The first summit for Viennese opera was reached under the direction of Gustav Mahler, who completely revitalized the obsolete performance system, strengthened the precision and spirit of the ensemble and brought in important visual artists (among them Alfred Roller) to create the new stage aesthetic. During his ten-year long tenure (from 1897 to 1907) Gustav Mahler—still omnipresent on the eve of the 20th century in the concert houses of the world as the most important composer of symphonic work—set about building the Wagner repertoire, renewing Mozart’s operas and Beethoven’s FIDELIO, while maintaining the association with Verdi and cultivating one with Richard Strauss. Austrian composers were promoted (Hugo Wolf) and the Court opera was opened to modern European works. Beside the classics from the Italian repertoire, Mozart, Wagner and Richard Strauss (himself General Director of the House from 1919 to 1924) are the mainstays of the Wiener Staatsoper repertoire. After World War II came the first the conductor-General Directors: Karl Böhm and Herbert von Karajan—the latter insisted on being called Artistic Director and opened the ensemble to the international singers market. He introduced the practice of operas being sung in the original language and set in motion plans for co-productions with foreign companies which were realised only after his tenure had ended. Following Waechter’s tragic death in March 1992, the General Secretary named Ioan Holender, former singer and owner of a singers agency, to take up the post until the end of 2010, and carry on the tradition of perhaps the best known opera institution in the world. ...Show All

Programme Wiener Staatsoper

Salomé (Mariotte)

2019 > September 27 October 04 2020 > January 24

La bohème (Puccini)

2019 > September 29 October 03 | 07 December 19 | 22 | 25

A Midsummer Night's Dream (Britten)

NEW PRODUCTION
2019 > October 02 | 05 | 09 | 13 | 17 | 21

Ariadne auf Naxos (Strauss, R)

2019 > October 06 | 08 | 11

Die Frau ohne Schatten (Strauss, R)

2019 > October 10 | 14 | 18

Madama Butterfly (Puccini)

2019 > October 12 | 16

Il barbiere di Siviglia (Rossini)

2019 > October 19 | 24 2020 > January 07 | 10

Werther (Massenet)

2019 > October 22 | 27 | 31

Simon Boccanegra (Verdi)

2019 > October 23 | 26 | 29

Macbeth (Verdi)

2019 > October 25 | 28 November 01

Don Pasquale (Donizetti)

2019 > October 30 November 03

Die Weiden (Staud)

2019 > November 07 | 09 | 12

Ariodante (Händel)

2019 > November 08 | 11 | 13 | 15

Orest (Trojahan)

2019 > November 14 | 17 | 20

Eugene Onegin (Tchaikovsky)

2019 > November 21 | 24 | 26

Don Giovanni (Mozart)

2019 > November 25 | 29 December 04

Tosca (Puccini)

2019 > November 30 December 03 | 06 2020 > February 10 March 20 | 23 | 26

Orlando [Olga Neuwirth] (Neuwirth)

NEW PRODUCTION
2019 > December 08 | 11 | 14 | 18

Die Zauberflöte (Mozart)

2019 > December 10 | 13 | 15

Hänsel und Gretel (Humperdinck)

2019 > December 27 | 30 2020 > January 02 | 05

Die Fledermaus (Strauss, J)

2019 > December 31 2020 > January 01 | 04 | 06

Lohengrin (Wagner)

2020 > January 09 | 11 | 16 | 19

La Cenerentola (Rossini)

2020 > January 18 | 22 | 25 March 21 | 25

Otello (Verdi)

2020 > January 28 | 31 February 03 | 07

Rusalka (Dvořák)

2020 > January 30 February 02 | 04

Leonore (Beethoven)

NEW PRODUCTION
2020 > February 01 | 05 | 08 | 11 | 14

Elektra (Strauss, R)

2020 > February 06 | 09 | 12 | 15

L'elisir d'amore (Donizetti)

2020 > February 16 | 23 March 31

Manon (Massenet)

2020 > February 25 | 28 March 03 | 07

Turandot (Puccini)

2020 > February 27 March 01 | 05 | 09

Tri Sestri [Three Sisters] (Eötvös)

2020 > March 12 | 14 | 17

Falstaff (Verdi)

2020 > March 13 | 16 | 19 June 30

Das Rheingold (Wagner)

2020 > March 15

Die Walküre (Wagner)

2020 > March 18

Le nozze di Figaro (Mozart)

2020 > March 25 | 30 April 06 May 30 June 05

Siegfried (Wagner)

2020 > March 27

Götterdämmerung (Wagner)

2020 > March 28

Samson et Dalila (Saint-Saens)

2020 > March 29 April 01 | 04 | 07

Cardillac (Hindemith)

2020 > April 02 | 05 | 08

Parsifal (Wagner)

2020 > April 09 | 12 | 15

Der Rosenkavalier (Strauss, R)

2020 > April 13 | 16 | 19

L'Italiana in Algeri (Rossini)

2020 > April 17 | 20 | 23 | 26

Fidelio (Beethoven)

2020 > April 22 | 25 | 28 May 02

Guillaume Tell (Rossini)

2020 > April 30 May 03 | 07 | 10

Der Freischütz (Weber)

2020 > May 09 | 12 | 15 | 19

Don Pasquale (Donizetti)

2020 > May 13 | 16

Don Giovanni (Mozart)

2020 > May 21 | 25 | 29

Così fan tutte (Mozart)

NEW PRODUCTION
2020 > May 22 | 24 | 26 | 28

Arabella (Strauss, R)

2020 > May 23 | 27 | 31

Lucia di Lammermoor (Donizetti)

2020 > June 04 | 07 | 11

Aida (Verdi)

2020 > June 09 | 13 | 16

Nabucco (Verdi)

2020 > June 14 | 17

Un ballo in maschera (Verdi)

2020 > June 15 | 18 | 21 | 24

Il trovatore (Verdi)

2020 > June 19 | 22 | 26

La traviata (Verdi)

2020 > June 20 | 23 | 27

Price guide

3 Day Tour Price from £599 per person
Includes: two nights accommodation with breakfast and taxes, top-category seat for one performance, opera synopsis, restaurant recommendations and city map.
Flights are not included but lowest fares can be sourced and booked.

Opera In Style's Favourite Hotels

  • Hotel Bristol
    Vienna

    Located in the heart of Vienna and right opposite to the Vienna State Opera, the Bristol Hotel has been an elegant meeting point for the city's cultural and business life. The hotel is 3 kilometres from the Wien Westbahnhof Station and 20 kilometres from the airport.

  • Guest room

    Hotel Kaiserin Elizabeth
    Vienna

    A traditional Viennese four-star hotel. Located in the very centre of historic Vienna, close to the Kärntnerstrasse pedestrian-zone. Short stroll to St. Stephan’s Cathedral. Many great and influential people have resided there including aristocracy in the time of the Monarchy as well as artists, musicians and painters from Mozart to Kokoschka.

  • Guestroom

    Hotel Royal Kremslehner
    Vienna

    The Hotel Royal, which has been family run since 1931, is situated in a quiet area in the Viennese city center. Next to St. Stephen’s Cathedral and the shopping streets Graben, Kärnterstraße and Kohlmarkt it is an ideal starting point for sight-seeing tours as well Theatre or Opera evenings.

  • Entrance

    Hotel Sacher
    Vienna

    One of Vienna's great deluxe hotels. Just a stone's throw from the Vienna State Opera House.